Å se er å glemme navnet på tingen man ser

The way Weschler captures Irwin's evolving thinking across thirty years is almost hypnotic—you feel the conversation breathe. I kept underlining passages about curiosity and process, and this expanded edition's added material makes it feel complete.

Three decades of conversations distilled into one book — I kept flipping back to compare how Irwin's ideas evolved, and the expanded edition's added material makes that arc so much clearer. It's the kind of book you'll dog-ear on nearly every page.

The expanded edition reads like sitting in on a studio visit with Irwin, three decades of him grappling with perception and light in real time. Weschler's questions are sharp enough that you feel the artist thinking out loud, not performing for a book. I've reread the chapter on his gardens twice al