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Case Study Houses: The Complete CSH Program 1945-1966

Case Study Houses: The Complete CSH Program 1945-1966 - Main image
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Category: Architecture

The Case Study House program (1945–66) was an exceptional, innovative event in the history of American architecture and remains to this day unique. The program, which concentrated on the Los Angeles area and oversaw the design of 36 prototype homes, sought to make available plans for modern residences that could be easily and cheaply constructed during the postwar building boom.

The program’s chief motivating force was Arts & Architecture editor John Entenza, a champion of modernism who had all the right connections to attract some of architecture’s greatest talents, such as Richard Neutra, Charles and Ray Eames, and Eero Saarinen. Highly experimental, the program generated houses that were designed to redefine the modern home, and thus had a pronounced influence on architecture—American and international—both during the program’s existence and even to this day.

TASCHEN brings you a monumental retrospective of the entire program with comprehensive documentation, brilliant photographs from the period and, for the houses still in existence, contemporary photos, as well as extensive floor plans and sketches.

Customer Reviews (5.0 / 5 · 5 reviews)

Sebastian ★★★★★

This book finally gives the CSH program the serious, comprehensive treatment it deserves—the thick archival sections alone are worth it for anyone geeking out on postwar LA modernism. The floor plans and period photos feel like you’re flipping through the original 1940s magazines.

Edward ★★★★★

I've been looking for a book that covers the full breadth of the CSH program rather than just the famous Stahl House, and this one delivers that and more. The essays give real context to the Los Angeles housing boom, making it easy to understand why the program was so innovative.

Owen ★★★★★

The floor plans and period photos finally make the post-war LA architecture click for me, and the book's sturdy coffee-table size means I can actually read the captions without squinting. It's dense but never dry—I keep finding a new detail each time I open it.